yourlibrarian (
yourlibrarian) wrote in
tv_talk2026-03-24 11:02 am
Entry tags:
TV Tuesday: Caption Use

In an interview, Seth MacFarlane said that he created The Orville because “the dishes that we are serving up are so dystopian and so pessimistic.”
Do we need hopeful television? Can dystopian television be hopeful? Which shows are hopeful to you?

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I don't usually respond here because I'm awful at thinking of answers, but this one I can. I have been coming to view a lot of what's offered up as "violence as entertainment", because look at the sheer number of cop shows involving gunfire. Action involving gunfire or blowing people up. Doctor shows with docs at gunpoint to "fix him!" Terror and violence, and audiences lap it up. (I have my own exceptions, but I still will point at those particular shows as examples anyway.)
I found myself last fall/early winter leaning into Hallmark-type shows and also the sappy Christmas movies. I needed the happy endings. The hopeful. There may well be a challenge but it all ends with love and self-responsibility. When Calls the Heart became my go-to on DVD's from the library since I don't have a Hallmark subscription. Shows that are hopeful like Virgin River, and Sullivan's Crossing, and The Way Home. People figuring things out and while grief may happen, love prevails.
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But what struck me was hearing the director talk about the discussions he'd had with the murdered cinematographer. They added shots of guns being pointed into scenes, to make them more dramatic and urgent. The scene that ended up killing her and wounding him, was (supposedly) not even meant to have a gun drawn and pointed but it was supposed to feature Alec Baldwin drawing it slowly from his holster and cocking it. Their belief boiled down to the idea that (my words) a scene was less boring if a gun was being pointed.
It reminds me of the great debate that went on in the 2010s about how often characters were killed off on TV, either because writers couldn't think of what else to do with them, or because it was a cheap way of raising the stakes on something. In short, a ratings ploy, to get audiences more engaged. And it worked of course. An angry audience also gets a show into the news, makes other people more aware it exists. But guns and death substitute for more subtle drama, and character development, and other emotions beyond aggression and anxiety.
no subject